Who is This Saint?

 Rather than a 'what is this thing?' I'm going for a 'who is this?' post.

This statue in the medieval church of Saint Martin in Prissac is clearly old and looked like it had potential to be interesting. I reckoned it was 17th century, but couldn't immediately identify the saint.

It turns out to be 15th century, so contemporary with much of the church decor, and represents Sainte Radegonde. She's a very common female saint to be featured in these parts, so I should have noticed that this nun was wearing a crown and guessed who she was. The statue has had quite a life but has been treasured in this church for centuries. Radegonde was a popular saint at the French Court, especially during the Hundred Years War, as Poitiers remained loyal to the French King and there are sites dedicated to her in several places from Tours to Poitiers. Charles VII was particularly attached to her cult and named his eldest daughter after her. 

The statue was made by an unknown artist from stone and painted. She was restored in 2017. Anyone who knew her from before this date will barely recognise her. She used to be multicoloured, and I suspect, spent quite a few decades being mistaken for the Virgin Mary (due to the crown).

She came to the attention of the Regional Curator for  Historic Monuments in the course of a major restoration project focused on the wall paintings in the church, which started in 2013. At that time she was in a very degraded state and restoration was recommended, although she was outside the scope of the original project.

Luckily, there was a qualified sculpture conservator, Delphine Bienvenut, who came from the village. The statue was sent to her workshop in Tours.

Sainte Radegonde de Poitiers was a Thuringian princess who married a Frankish king in 536. She died in Poitiers in 587 at the age of about 67. We spent a few days in Thuringia in June, around Wartburg. It's a small centrally located State in modern Germany, once part of the GDR (ie Communist East Germany). Radegonde set up her court in Poitiers and lived as a simple nun, known for her piety and humility. She was sanctified by popular acclaim very quickly after her death.

The Church of Saint Radegonde in Poitiers, where she is buried.

It's thought the sculpture was probably made from a single block of stone originally, but it is now divided into three pieces -- the head, the chest, and the rest of the body and arms. There would have originally been hands too of course, one holding either a sceptre or an abbess' cross. Each of these pieces have been joined at some point using wooden dowels about 2 cm in diameter.

Upon studying the sculpture the conservator discovered that there had been three layers of overpainting covering the first layer. The original paint scheme had been applied over a preparatory base coat of smooth white. The saint's gown was a layer of blue-grey applied very thinly to the preparatory coat. This coat is quite scrappy and slapdash, and is now almost impossible to separate from the layers above and below. The cloak is richly decorated with gold leaf and red lacquer. The crown is quite blingy and also covered in gold leaf, with elements of green and red lacquer. The rosy cheeks on the face are well done and seem well preserved. The eyes are green and the wimple is white.

The first layer of overpainting is strongly adhered to the layer below, making its removal practically impossible. In this layer the gown is a sombre grey-green, but the cloak has become azure blue, decorated with a gold motif. The crown was redone, but repeating the original, as was the face and wimple.

The second layer of overpainting was easy to remove. It had been applied in a slightly thicker coat. The colours are less contrasting, but of very good quality. The veil and cloak were painted in very dark green and the gown in an even more sombre shade of green, virtually black. The wimple was white and the crown ochre and gold. Once again the face has been nicely rendered, but the eye colour has been darkened.

A third layer of overpainting was then applied but it was poor quality and noticeably modified the appearance of the statue. It became a riot of clashing colour and I suspect mistaken at this point for the Virgin Mary.

The conservator opted to remove the most recent overpaint to reveal the finer details of the carving and colouring. She found that the statue was of very good quality, which given its appearance when she received it was a bit of a surprise. Personally, I'm a bit sad that due to the difficulty of taking the paint back to the earliest layer the sculpture has ended up very sombre, rather than the jewel like colours of the original.

Further reading: I wrote about the Chapelle Sainte Radegonde in Chinon some years ago and you can read it here https://daysontheclaise.blogspot.com/2021/09/chapelle-sainte-radegonde-chinon.html

Not a Chateau

In the land of châteaux, this isn't a château. In fact it is hardly even a building any more, just an end wall. I imagine it is pretty old, but we've never managed to find out how old.

It is within 1.6km (1 mile) of la Poste in Preuilly-sur-Claise, and right on the border of the commune. Do you know where it is?

The History of the Brand Family

My father was singularly uninterested in his ancestry. Not just disinterested, uninterested to the point that you could see him switch off when you tried to get him to talk about it. He had his reasons, and to him they were totally valid, so we let it be. Occasionally (and always out of the blue) he would tell something of his past, but he never mentioned his parent's background.

Luckily for those of us who are interested we have my cousin Linda who is Officer in Charge: Family History. She has chased the Brands back to the 17th century, and my paternal grandmother's family tree back to the 16th century. Which is remarkable because it's all in German. This is how Susan and I had the knowledge to be able visit the places we did in Germany.

The house in which my great grandfather was born, Fritzlar.

On the 25th of August Linda will be giving a talk at the Fritzlar Local History Museum about tracing her German roots. If you're in the area, I'm sure she'll have a couple of copies of the talk in english.

Homes for Bees and Wasps

The town hall (rathaus) in Schrozberg has a wildflower meadow which was created to provide a habitat for insects and other small wildlife, including butterflies, wild bees and bumble bees. The idea is to provide food, shelter and breeding areas, helping many species to thrive while also supporting plant biodiversity. To protect this delicate ecosystem, the meadow is mown only twice a year, allowing flowers and grasses to grow naturally. A mixture of different grass heights provides additional shelter and food for wildlife, while seeds and plant stems continue to benefit animals and birds throughout winter.

That's not the most fun part: what really excited Susan was the sandpit for wild bees and solitary bees to nest in. It's right in the middle of the municipal flowerbeds in front of the town hall building.

It can be done, and Susan is pushing for something similar to be done in Preuilly-sur-Claise.

Lean Times in Loches

The War years marked Loches, as they did the rest of the country, with deprivation and rationing. For buying staples, especially food, families were issued with ration cards. The quantities authorised, whether it be for bread, meat, pasta etc were dependent on gender, age and how physical your work was.

In the market in Loches prices soared. At the beginning of the War a dozen eggs cost 9 francs. Two years later they were 19 francs. It was the same for a kilo of butter, which went from 25 francs to 100 francs.

The statue of Alfred de Vigny today, back in his original location.

The restrictions didn't only affect food. Many products became difficult to obtain, such as coffee, heating fuel, shoes, tyres or clothes. To save electricity the opening hours of shops were limited. Lacking petrol, the vet did his rounds on horseback. Certain car and truck owners modified their vehicles to use charcoal gas.

France was suffering a severe lack of raw materials. In 1941 the authorities collected all the non-ferrous metal they could find (lead, copper, tin). The following year anyone who handed in 200g of copper was offered a litre of wine in recompense.

This lack of metal resulted in the loss of numerous works of art. In Tours, several statues, including a famous one of Balzac, were melted down. In 1943 it was announced that the statue of Alfred de Vigny in Loches must also be sacrificed. This news provoked an immediate emotional outburst by the general public. The locals decided to act, and in the early hours of 29 July the bronze sculpture by Sicard was discreetly lifted off its socle by workers from Deschamps Carpentry and transported to a troglodyte cave in rue de la Roche Appert, where, well hidden, it waited in total safety for the end of the War.

A Mystery Cross

This is another "what's that thing" where we don't really know the answer besides the obvious.

We know it's a cross, we know it's immediately next to the church in Prissac (36), and we assume it's old.  How old it is, and its history we do not know, and our online research hasn't turned up any information.

So it's over to the hive mind: what's the history of that thing.